I'm travelling into a new way of working, a new country, a new language, and a new hobby which I'm passionate about. Come with me for some of the journey...

Saturday, 15 September 2012

Last Days of Summer

Hello all, I'm so happy you've dropped by... it's a wonderfully sunny, though still slightly chilly, early Autumn day here, so it seems the perfect time to share this project with you, inspired by Crafty Individuals' challenge this month "The Last Days of Summer".


The stamp set is, of course, by Crafty Individuals, and all the stamped images are from the one set, bar the decorations on the large butterflies' wings.  



The little girl at the front has, however been deprived of the teddy bear she usual holds, and has been given a butterfly to admire instead!

All the children are stamped in Archival Sepia, and just gently shaded with Antique Linen DI.  Then I put some Tattered Rose Distress Stain Marker ink onto my acrylic block and, using plenty of water, painted a slight blush onto their skin wherever it was visible.




Finally, I gave them a coat of UTEE, just to strengthen them, since some of the cutting is delicate, and also to make the colours a little more vibrant.

I mounted the older girl and boy on padded tape, and the girl at the front is on some leftover packaging foam to bring her to the foreground.






The butterflies are a slight adaptation of the ones I created for an earlier project.  They're still made of leftover bread wrappers, and cut using the Tim Holtz Butterflight On the Edge die (which means you have to do some extra trimming to get whole butterflies!).

They're stamped using a Prima Almanac wallpaper design of tiny flowers, then doubled up for extra flutter effect, and glued with Glossy Accents.



The background uses a resist technique.  I stamped the little butterflies and dragonfly from the CI set repeatedly onto some white cardstock and clear-embossed them. 








I then painted over them using some Cosmic Shimmer paint I got in That's Crafty's sale.

This colour is the romantically named 'Sahara Mist'.  It does indeed shimmer cosmically, but also gave a lovely sunset sky effect.  You can get really varying intensities of colour depending on the amount of water you use.






The whole thing is actually made in the lid of one of the little boxes I got for a pittance in one of the Czech cheapy shops.  I had covered the whole thing in regular masking tape, and I used some more of the Sahara Mist on the back.

Round the edges of the frame (lid!), inside and out, I used some TH calendar tissue tape, to mark the passing of the summer days.

And I cut some white jute ribbon in half lengthwise, and adhered it to the front of the frame, edging it with Vintage Photo DI.











The sentiment from the same set captures exactly the mood of the children's faces and bodies - so full of wonder... it really is a lovely stamp set!


Finally, some late summer roses, paper mulberry ones, but better than nothing!  I love the colour of these, very close to my favourite Peace roses.  They're tied with some frayed natural twine to tie in with the vintage colours of the whole piece.

Thank you so much for spending some time here at Words and Pictures.  And I'm delighted to welcome the new followers - it's great to have your company on the journey.




I do hope you get to enjoy some of this wonderful world this weekend!

I'm entering this in the Crafty Individuals challenge The Last Days of Summer
Frilly and Funkie's current challenge The Great Outdoors
I'd like to add it as another entry for the Crafty Cardmakers challenge Winged Things
Heck of a Challenge are on Anything Goes as their first monthly challenge

A perfect summer day is when the sun is shining, the breeze is blowing, the birds are singing, and the lawn mower is broken. 
James Dent

September
The breezes taste
Of apple peel.
The air is full
Of smells to feel-
Ripe fruit, old footballs,
Burning brush,
New books, erasers,
Chalk, and such.
The bee, his hive,
Well-honeyed hum,
And Mother cuts
Chrysanthemums.
Like plates washed clean
With suds, the days
Are polished with
A morning haze.
John Updike

Wednesday, 12 September 2012

My heart is ready...

...and what am I gonna do?

Hello again to all visitors, old and new - it's wonderful that you've found time to stop by today.  The title and follow up at the beginning of today's post are the lyrics of a song which struck deep to my heart, and which wouldn't leave me alone, and ended up spilling onto some pages in my newly begun art journal.

I was taught the song (which is by Cindy Kallet) at a singing workshop led by the fantastic Andrea Small, a Natural Voice practitioner, a few weeks ago... and created these pages a few days later, when it was still going round and round in my heart and my voice, but haven't had the chance to share them with you yet.  So here we go...



The centrepiece stamp is from one of the new Classic Collection sets recently re-released by Stampers Anonymous at Tim Holtz's instigation (it's set #5 if you're tempted).  Her face is hauntingly gorgeous, and I find that the expression shifts in meaning according to one's mood or how you surround her.



Having stamped her on one side of the spread, I wanted her facing in the other direction for a different aspect on the opposite page, so stamped her on tissue paper and adhered it (fairly wetly, to get my favourite crinkled texture involved) back to front to get the reverse image.





For the right hand page I cut a mask to shield the face, and then followed my (ready) heart in stamping, painting, inking and blending.


There's gesso, acrylics, embossing, and stamped-in gesso, mainly using architectural elements from another of the Classic Collection sets, set #7.  Given that the whole page was fired and inspired by a song, the Kaisercraft music stamp also puts in a strong showing...

 

The masking means that you can create the background with great intensity of colour and stamping, and the face will always float at the front of the layers.

I added the flush of excitement to her cheeks and lips by some sort of internal compulsion, almost against my will... but once it was there, I knew it was right!






On the left hand page, I'd already put some stamping in place before sticking down the tissue paper face, so the Aged Mahogany sculptural flourishes "bleed" into her features.

I'm generally wary of Aged Mahogany - it's such a full on colour that it can get out of hand (overall, I don't seem to work with Brights very often)... but for the passionate connection I felt to the spirit of this song, that was the ink pad that found its way into my hands, along with Archival Coffee and Sepia, and Vintage Photo, Tea Dye and Walnut Stain DIs.

Following the presence of the darker, more contemplative image of the face on this left-hand page, the colours are more focused toward the browns than the hot reds and pinks, but that passionate colouring is still bubbling under the surface.




There's the soft glow of embossing too, which you can see I think in the photo here...


I absolutely love the texture available from the architectural flourish in Set #7... I stamped it repeatedly to get that texture spreading across the pages.




And the lyrics are simply questioning their way across the pages... each image facing up to the question and ready - I hope - to search for the answers...
















Thank you so much for joining me here at Words and Pictures today.  Sorry for all the photos but, as with the song, something about these pages sings to me, and I wanted to try to share that with you.  

I'm entering this for the following:
The Craft Barn are having an Art Journal challenge at the moment
The Stampman is looking for Hot Colours
Try It On Tuesday are offering us an Anything Goes challenge
And Simon Says Stamp would simply like us to Put a Stamp On It

My heart is ready and what am I gonna do? 
My heart is ready and what am I gonna do?
My heart is ready and what am I gonna do 
Oh God! My heart is ready and what am I gonna do? 

My feet are ready and what am I gonna do?
My feet are ready and what am I gonna do?
My feet are ready and what am I gonna do?
Oh God!  My feet are ready and what am I gonna do?

My hands are ready and what am I gonna do?
My hands are ready and what am I gonna do?
My hands are ready and what am I gonna do?
Oh God!  My hands are ready and what am I gonna do?

My voice is ready and what am I gonna do?
My voice is ready and what am I gonna do?
My voice is ready and what am I gonna do?
Oh God!  My voice is ready and what am I gonna do? 

My heart is ready and what am I gonna do?
My heart is ready and what am I gonna do?
My heart is ready and what am I gonna do?
Oh God!  My heart is ready and what am I gonna do?
Cindy Kallet

WOYWW 171

Hello Wednesday... hello workdesk... hello What's On Your Workdesk Wednesday!  Once you've seen WO my W this W, why not pop over to the Stamping Ground where Julia Dunnit is hosting her weekly list of crafty workspaces around the world so you can see what everyone's up to.

I'm posting rapidly (two posts again, if you've time for a browse), and off to catch a train again.  For now, here's my mess - no time for tidying up after myself at the moment, though generally I like to get things a little bit clear after each project, just so I can find what I want when I start up the next thing!  But not just now...

 













Inks and papers and stamps left over from the last couple of projects... New re-inkers so that I can make myself some homemade inkpads with those colours... A tiny chest of drawers awaiting some altering... 



And the leftover inchy masks from this card which I took a photo of in close-up as I thought they were very cute - next thing I knew, it was out with the UTEE and they're on the way to being some sort of necklace!  









Have to work out how to make them hang properly... but that's for after work - off to the train now.  Will be doing the rounds then too, and for the rest of the week - happy hopping!




That's another fine mess you've gotten me into!
Stan Laurel



Tuesday, 11 September 2012

A New Leaf

Hello all, lovely to have your company today - however briefly!  I've got to post and run again - let's see if I can get it done before I have to catch my train...

A hop out of kin today - that's to say, a card which is not in my usual style, but rather aims at being Clean and Simple (CAS).  


I really, really wanted to find time to join in with the Artful Times challenge this fortnight which is Inchies, and was waiting for inspiration to strike... but it wasn't until I spotted the Less Is More Foliage challenge, looking for one-layer cards, that an idea started to form.  As usual, it formed in the middle of the night, so there I was at 6am this morning at the craft table, and here it is...



I cut five one-inch squares of paper, and used them to mask off spaces across the centre of the card, and then two further strips to mask the top and bottom, and then stamped away with the gorgeous Artistic Outpost leaf stamp from the Old Grist Mill set.

 








It's there in Frayed Burlap, Vintage Photo, Walnut Stain and Tea Dye.

Once done, I peeled the papers away and added the sentiment using my £1 alphabet set in Vintage Photo. 

I then put a tiny edging of Vintage Photo around it to define the white space which is so vital in the CAS style.  



Since the challenge is One Layer, everything has to stamped direct onto the card, with minimal embellishing.  I remain in two minds about the twine and whether it should be there or not...!


And that's pretty much that... Hope you'll find some time for crafting today - as I've just discovered, you only need ten minutes sometimes!!

I'm entering this for the following:
The Artful Times challenge which is Inchies
Less Is More are having a One Layer challenge with the theme of Foliage
Artistic Outpost's September challenge which is Anything Goes using an AO stamp
And I'd like to join in with the Bloggers' Challenge this week: Bring On Fall, hosted by Lisa Somerville over at Splendiferous Creations, so you'll find the hop below the quotation if you'd like to join in the fun!


The chief beauty about time is that you cannot waste it in advance.
The next year, the next day, the next hour are lying ready for you, as perfect, as unspoiled,
as if you had never wasted or misapplied a single moment in all your life.
You can turn over a new leaf every hour if you choose.
Arnold Bennett




Sunday, 9 September 2012

What the Dickens?

Welcome all, and an especially big welcome to the new followers - fantastic to have you here.

I'm sharing an altered book today - inspired mainly by the House of Bears and their wonderful literature-inspired challenges.  This month it's Great Expectations by Charles Dickens, and themes of gentlemen, neglect/decay, or any other inspiration or characters that you find within the pages of the book.  That meant that it also fits really well with Simon Says Stamp and Show's current Read All About It challenge.  As someone for whom words are just as important as pictures, this was a really great project to work on...

I went in search of an old copy of Great Expectations (we're clearing out our large family house at the moment, including many thousand books), and found my mother's old school copy ready to be sold or donated.  I double-checked that she wouldn't mind it getting a new life, and then did this to it!





I wanted it to look as though it might be one of Miss Havisham's belongings, full of past grandeur but now neglected and decaying.  It was originally bound in red cloth (sorry, forgot to take a 'before' - I was in the zone!), but I soon altered that with some gesso and gold acrylic paint.  


I also added a cobwebby look using one of the texture stamps from Tim Holtz's Ultimate Grunge set, and generally laid into the pages (now stuck together) with Vintage Photo, craft scratcher, gesso and fingernails! 









The central pages also got their edges furled and inked, but I left them unglued so that I could play my fan game with them.  They were rolled and tucked, and then gently gesso'd and inked.  Finally the whole thing got a good spritz of Mushroom Color Wash and Heirloom Gold Perfect Pearls Mist for some more mildewy faded glamour...








The furled pages created a perfect place for characters and words from the book to 'pop-up' out of... I love that they are emerging from the pages to seize our attention.









I used other pages which I'd removed from the book before gluing - so everything is genuinely Great Expectations text, and then used TH stamps to form an image of Estella, and the skull -  as a reminder both of the graveyard where Magwich first appears, and of the theme of death and inheritance.  





Money is central to the book, so there are some receipts...












...and some Victorian book illustrations, all from the Vintage Gentleman Kit I was so thrilled to win recently from Vintage Page Designs.








From getting the book in my hands I just let the ideas lead me, and overall I"m pretty happy with the result... and I don't even feel that guilty about the book in the end!  





I like this new visual version of the themes of the story, tumbling out of the pages, and I certainly prefer the faded gold and brown to the original red!  And since it was only going to be disposed of, I'm happy to have given it a new life...









Thanks so much for spending some of your precious time here at Words and Pictures - I really appreciate every visitor, though I'd probably still be obsessively crafting even if you weren't here, to be honest!  Hope you find some time for whatever you're passionate about this week...










I'm entering this for the following:
The House of Bears challenge inspired by Great Expectations
Simon Says Stamp who are asking us to Put a Stamp On It
Recycle, Repurpose and Reinvent are having an Anything Goes challenge this month

Love her, love her, love her! If she favours you, love her. If she wounds you, love her. If she tears your heart to pieces – and as it gets older and stronger, it will tear deeper – love her, love her, love her!

There was a long hard time when I kept far from me the remembrance of what I had thrown away when I was quite ignorant of its worth.

Take nothing on its looks; take everything on evidence. There's no better rule.
All from Great Expectations by Charles Dickens